The way images appear right in front of my eyes, along with the chemical process of cyanotype, feels very analog and magical.

Title Undecided

blue print(cynoatype) on maple hardwood, hard oil finish
360x380x780 (mm) / 4set

2024

This work is a collage of film images and fragments, with the cyanotype applied to maple wood. It creates a composition that presents various forms and arrangements through the collaged images and marks.

Blurred Drawing

cyanotype on glass

150 x 200 (mm)

2024

[Process]

Cyanotype Variation

blue print(cyanotype), birch plywood, veneer band
stain paint, varnish finish
320 x 320 x 420 (mm)

2023

[Process]

Double Slit Experiment

cyaontype on birch plywood, aluminum lump
200 x 300 x 435 (mm)

2021

This is an experimental practice work where various light sources, such as fluorescent lights, projectors, and lasers, were exposed to film. The developed photographic plates were then enlarged and printed, and the film was used to apply the blueprint technique on different types of wood and materials.

Karma Chair

cyaontype, silkscreen print, birch plywood
536 x 450 x 740 (mm)

2021

This work was the first attempt to apply photographic and printmaking techniques such as cyanotype and silk screening to the surface of wood.

It reflects the randomness of thought, inspired by a car accident and the X-ray film images I observed while being examined in an old hospital. The work became a collage of forms and images that concentrated on the serendipity of the moment and my personal interests. The structure seen in the body and the chair design by Gerrit Rietveld stored on my phone intersected, creating the final result.

Light carves the image,
, Exposure carves the memory
, Exposure proves karma.

Karma, structure, coincidence, and improvisation.